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Free Download Back Over There: One American Time-Traveler, 100 Years Since the Great War, 500 Miles of Battle-Scarred French Countryside, and Too Many Trenches, Shells, Legends and Ghosts to Count, by Richard Rubin

Free Download Back Over There: One American Time-Traveler, 100 Years Since the Great War, 500 Miles of Battle-Scarred French Countryside, and Too Many Trenches, Shells, Legends and Ghosts to Count, by Richard Rubin

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Back Over There: One American Time-Traveler, 100 Years Since the Great War, 500 Miles of Battle-Scarred French Countryside, and Too Many Trenches, Shells, Legends and Ghosts to Count, by Richard Rubin

Back Over There: One American Time-Traveler, 100 Years Since the Great War, 500 Miles of Battle-Scarred French Countryside, and Too Many Trenches, Shells, Legends and Ghosts to Count, by Richard Rubin


Back Over There: One American Time-Traveler, 100 Years Since the Great War, 500 Miles of Battle-Scarred French Countryside, and Too Many Trenches, Shells, Legends and Ghosts to Count, by Richard Rubin


Free Download Back Over There: One American Time-Traveler, 100 Years Since the Great War, 500 Miles of Battle-Scarred French Countryside, and Too Many Trenches, Shells, Legends and Ghosts to Count, by Richard Rubin

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Back Over There: One American Time-Traveler, 100 Years Since the Great War, 500 Miles of Battle-Scarred French Countryside, and Too Many Trenches, Shells, Legends and Ghosts to Count, by Richard Rubin

Review

“A journey back to the French rural landscape where so many American soldiers fell during World War I…a fine on-the-ground account of some of the iconic battles…An eloquent dive into World War I cemeteries, monuments, mines, and trenches.” - Kirkus“This is a fascinating book that brings to life the Great War’s brutal trench warefare its lingering presence in rural France...This remarkable work of journalism reminds us of the hardships of that war and the bravery of those called upon to fight it.” - The Missourian“A century after the Great War, the battlefields of France are still littered with the evidence of the barbarous fighting--trenches, the abandoned foundations of destroyed villages, and shell fragments galore. But Richard Rubin doesn’t pursue this subject merely to give new meaning to the genre of ‘deep travel.’ This thoroughly researched and entertaining narrative refreshes our understanding of a tragic war and will be welcomed by anyone who enjoys good writing and history.” - Rinker Buck, author of The Oregon Trail: A New American Journey,and Flight of Passage“Richard Rubin is a highly-skilled time-traveler whose passion and diligence make the haunted sites of the First World War yield up their amazing stories. By reminding us how real and how recent that war was he has produced an engrossing, important book.” - Ian Frazier, author of Great Plains and Travels in Siberia"Delightful may seem like a strange word for a book about war – but it’s the word that came repeatedly to mind as I turned the pages of Richard Rubin’s narrative of his adventures on the French and Belgian battlefields where Americans fought in the Great War. With vast erudition and effervescent style, Rubin brings to life what the Doughboys endured “over there” a century ago and what he experienced as he retraced their footsteps." - David Laskin, author of The Family: A Journey into the Heart of the 20th Century and The Long Way Home: An American Journey from Ellis Island to the Great War"Back Over There is a thoughtful, emotional, engaging journey into the rich and sometimes forgotten history of WWI." - Susan Orlean, author of The Orchid Thief"Back Over There is journalistic magic, somehow travelling back in time 100 years without leaving the present, in order to bring us a graphic portrayal of our tragic participation in World War I, the Great War that cost 116,000 American lives, and the great legacy that lives on even now. Richard Rubin has traveled the battlegrounds and combat villages of France and has given us not only a graphic portrayal of the bloody battles in the trenches, in the villages and in the air where fighter planes dueled and bombs dropped for the first time, but a moving portrayal of the eternally grateful French people who keep the memory alive to this day.” - A.E. Hotchner, author of Hemingway in Love“Richard Rubin has written a unique book--a combination of history and travelogue that restores the battlefields of WWI and the men who fought on them to remarkable, often heartbreaking life.” - Thomas Fleming, author of The Illusion of Victory, America in World War I"It was called the Great War, and it brought America--and millions of ordinary Americans--decisively into the wider world for the first time. We would never be the same again. But our entry into the conflict was a century ago--knowledge and memories fade. A keen student of the war, Richard Rubin set out on a journey along what were once the front lines in northern France. With an eye for compelling and sometimes chilling detail--the graffiti scrawled in tunnels, the rusted ordnance turned up by ploughs, the lonely grave of the last American killed--he has produced a personal account of historical discovery that is human and haunting, and written with literary flair. The First World War, we come to realize, is both distant enough to evoke the clashes of antiquity and recent enough to feel like yesterday." - Cullen Murphy, author of Are We Rome?

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About the Author

Richard Rubin is the author of Back Over There from St. Martin's Press. He is also the author of The Last of the Doughboys: The Forgotten Generation and Their Forgotten World War and Confederacy of Silence: A True Tale of the New Old South, as well as scores of pieces for The New York Times, The New York Times Magazine, The New Yorker, The Atlantic, and Smithsonian, among others. A fifth-generation New Yorker, he now lives in small-town Maine, which baffles his neighbors.

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Product details

Hardcover: 304 pages

Publisher: St. Martin's Press; 1st edition (April 4, 2017)

Language: English

ISBN-10: 1250084326

ISBN-13: 978-1250084323

Product Dimensions:

6.4 x 1.1 x 9.6 inches

Shipping Weight: 2.5 pounds (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

40 customer reviews

Amazon Best Sellers Rank:

#298,653 in Books (See Top 100 in Books)

Anyone who studies history knows that the preserved record of the past: documents, artifacts and testimony are only fragments of what was--most of the stories are lost to us. When a historian reaches a dead end, turning around is the easiest option, writing predictable scholarship about a subject that can be named and tamed, backed up with sufficient and convincing evidence. Where historians bail out, Richard Rubin keeps going--and this is his brilliance. He is after story, being a storyteller, not merely the historical record. Historians like to look for holes in the story but for Rubin craters and trenches are his subjects--along with the vacancies in the past, the unrecoverable. There is a lot of wondering and wandering in Back Over There but it's more than a war tourist's jaunt-through-the-battlefields travelogue, although he does seem to have quite a good time, which sometimes feels both odd and a nice break from all that historical slaughter. The Great War becomes present on these pages as Rubin walks us through French fields still churning up live shells, shrapnel, bullets, bayonets, horseshoes, wagon wheels, barbed wire. The French countryside (and the war dead and the killing equipment it absorbed) becomes almost the main character of this book. France lost a million men in World War I, an entire generation. Rubin's focus is mostly on the American forces, as it was in his previous book Last of the Doughboys, where he interviewed the last surviving centenarian American veterans, and here he retraces some of the steps of those veterans--Rubin digs the loss up again and finds what he can. There is a lot of wit here and humility in wrestling with the vastness of the Great War as a subject, and a really fantastic description of mud. And there is compassion in Rubin's storytelling, by compassion I mean the origin of that word--suffer with--as he relates the close-up battle descriptions of how those crushing numbers of dead in the Great War died, and it matters to him that he find exactly which corner of which farmer's field it happened in a century ago. Rubin cleverly weaves in what little we do know about some of the enlisted and a few civilians and introduces us to individuals (and whole towns) we wish hadn't died. Historians give us context and linear truths we can't untangle ourselves from--essential work--storytellers make us for a moment believe that we're still entrenched, that the past still matters. There are moments when Rubin holds back from really letting it all get to him and I wish he had pushed further into the weeds toward whatever darkness he's tracking--his writing is so good, you know he could have carried even more out of those fields--but there is the sense as he literally crawls out of massive craters on his hands and knees or traverses slippery tunnels at Vauquois that these stories won't let him go. Obsession is a word I'd use to describe his stroll hacking through the weeds of trenches and exploring the still intact concrete German bunkers in the otherwise bucolic French landscape. If Rubin stops short of the poet's mission to "rescue the dead" (Ignatow), he succeeds in making the past a place you can actually visit, he knows the way there and can show you--and his book builds a fascinating bridge back over. 4/16/17

Richard Rubin had the great honor to interview some of the last surviving Americans who had fought in the First World War before they passed from this life. He planned a journey to visit those places that had become part of his life through hours of conversation. This book opens on the scene of America's last casualty of this terrible war; Rubin is lost and under threat of being trapped in the clay-binding mud of Lorraine, far from any help. He takes us through the vast quantity of spent munitions, duds, and detritus of war that float to the surface of French fields every Spring, like so many rocks in the cultivated furrows of a New England farm. Those French farmers live a daily life of an uncertain future. His writing provides us a metaphor for the whole war. The abandoned bunkers, empty trenches, the art work in the chalk walls of the under-ground quarries that had sheltered soldiers from both sides are here in this book. The beautiful and warm hearted prose takes the reader through the former American Sector of the First World War, a part of France where people still hold fond feelings towards a people who crossed the Ocean to fight for their freedom. Many of those people will be found between the covers of this book. Whether you seek to understand this "Unknown American War" or are planning your own pilgrimage to a special place in your family's own World War 1 history, this book has something for you.

This book was exactly my kind of book! It was a blend of history and travelogue that was an attempt to make sense of what happened through the lens of the present and connect it to those places in France where Americans fought and how those places remember it today. I can see why the subtitle refers to Rubin as a “time traveler”. I am a History teacher and was motivated to be one, at least in part, by a desire to time travel myself. This book feels as much like time travel as is currently possible. Rubin’s travel to France on multiple occasions was motivated by his earlier interviews with the few living Doughboys left. All of those men were over 100 when Rubin interviewed him, and having read his earlier book The Last of The Doughboys, I appreciated his connections to places he was visiting to the men he had interviewed earlier. I have been to France multiple times, but have yet to be fortunate enough to see the tranches, monuments, or cemeteries connected to the Great War despite a strong desire to do so. Rubin provides a well written and insightful guide for anyone who wants to visit in person or vicariously through Rubin. The mines he explored near Chemin Des Dames revealed an untold number of carvings and graffiti from German, French, and American soldiers who left their marks during the First World War. These markings included several soldiers from Maine (where I live) including some references to Passamaquoddy culture. These were featured in a recent TV documentary that was quite popular and I highly recommend as a great supplement to the book. I was fortunate enough to see Rubin speak about this book at the Maine Historical Society recently and I was fascinated with the images of the graffiti from the mines. I can’t say enough positive things about this thoroughly enjoyable book. Despite being really busy, I read it all in about 10 days and had difficulty putting it down each time I read! One of my favorite lines from the book illustrates my thoughts on history in general, but more specifically, the way I have been thinking about World War Two for quite some time, “The Argonne is evidence that history folds in on itself again and again, and that, as I often view the Frist and Second World Wars as one conflict with a two decade cease-fire in the middle, a case could certainly be made that… if the king hadn’t stopped for pieds de cochon just steps away. No decapitated Louis, no First Republic; no First Republic, no Napoleon; no Napoleon, no rise of Prussia; no rise of Prussia, no Franco-Prussian War; no Franco-Prussian War, no First world War; no First World War, no Second World War; no Second World War , no Holocaust.” Later in the book Rubin once again makes a connection I can relate to when discussing the fighting near the Bois de Foret. His realization was that the land had been fought over for centuries by many different peoples until 1918 changed everything and there has been no fighting there since. He goes on from there to point out how the Great War is still important to this day. Throughout the book Rubin finds ways to make these connections. One big takeaway for me is how few Americans know anything about American involvement in the Great War and what a shame that is. I’m so glad, for the sake of the fallen, that he has written this book as a way to revive their memories and connect Americans to what happened in the War. The book is insightful and engaging and I truly enjoyed it! Thank you for stoking my interest in the Great War, now to I need to get back to France and see some of these sites! Anyone know of any travel programs for teachers that might fund this?

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