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Please Kill Me: The Uncensored Oral History of Punk, by Legs McNeil Gillian McCain
Get Free Ebook Please Kill Me: The Uncensored Oral History of Punk, by Legs McNeil Gillian McCain
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Amazon.com Review
Though Britain's notorious Sex Pistols shoved punk rock into the face of mainstream America, the movement was already brewing in the U.S. in the 1960s with bands like the Velvet Underground and Iggy and the Stooges. Through hundreds of interviews with forgotten bands as well as the ones that made names for themselves--including Blondie and the Ramones--Legs McNeil and Gillian McCain chronicle punk rock history through the people who really lived it. Please Kill Me is a thrash down memory lane for those hip to punk's early years and an enlightening history lesson for youngsters interested in the origins of modern "alternative" music.
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From Publishers Weekly
As its sensationalist title suggests, this stresses the sex, drugs, morbidity and celebrity culture of punk at the expense of the music. Starting out with the electroshock therapy Lou Reed received as a teenager, working through such watersheds as the untimely deaths by overdose or mishap of Sid Vicious, Johnny Thunders and Nico, as well as the complicated sexual escapades of the likes of Dee Dee Ramone, the portrayal here of the birth of an alternative culture is intermittently entertaining and often depressing. McNeil, one of the founding writers of the original 'zine, Punk, in 1975 , is certainly qualified to tell this tale. But the book's take on punk rock as "doing anything that's gonna offend a grown-up" overemphasizes the self-destructive side of the movement. Details of Iggy Pop's drug abuse and seedy sex with groupies receive more attention than important bands such as Television and Blondie, which had comparatively puritan lifestyles. Constructed as an oral history, the book weaves together personal accounts by the crucial players in the scene, many of whom seem to have been so drugged out most of the time that their reliability is questionable. McNeil and McCain (Tilt) provide a vivid look at the volatile and needy personalities who created punk, if they do not offer perceptive musical or cultural analysis. Photos. Copyright 1996 Reed Business Information, Inc.
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Product details
Hardcover: 424 pages
Publisher: Grove Pr; 1st edition (May 1, 1996)
Language: English
ISBN-10: 0802115888
ISBN-13: 978-0802115881
Product Dimensions:
6.5 x 1.5 x 9.5 inches
Shipping Weight: 1.6 pounds
Average Customer Review:
4.6 out of 5 stars
293 customer reviews
Amazon Best Sellers Rank:
#304,399 in Books (See Top 100 in Books)
This is Punk as it happened by the people who were there.In New York, and some in Detroit and London. Bit of California. Mostly Lou Reed and Iggy Pop and the Ramones and the Dead Boys and Blondie.And the club kids and the hangers-on, the club owners and the drug dealers.Everyone who doesn’t die gets old.It is sad.It is beautiful.It ends, like everything, too soon.
I found Please Kill Me insightful, informative and fascinating. It told me a lot of things I didn't know, even though I followed the punk era closely in the magazines of the time; caught the tail end of it when I moved to NYC in the '80s; and actually became acquainted with a few of the people mentioned in the book. From what I know, at least, it's pretty accurate.Please Kill Me is not meant to be uplifting. It's a book about a bunch of mostly messed-up, at best semi-stable people of limited talent, who nonetheless came together to create something great. It's the story of those people, not the specific chords they played or the amplifiers they used. It's unusual in that it goes into great depth explaining the genesis of punk; this book makes it clear that the foundation was laid long before the Ramones ever played a note.It's also a fantastic read. I started reading it on a cross-country flight and stayed up all night finishing it. It's especially compelling when you contrast it with the sanitized, glorified shopping mall that now calls itself New York City.I wrote this review after seeing too many denigrate the book because it presented a different picture of the people and the music than they expected. This guy was right in the middle of it all, and earned his knowledge through personal experience. There are only a few other people who can match his depth of understanding on this topic, or his passion for it.
As crazily complete an account of a musical movement as you will ever read. I hate to say it, but this is my era and I was completely engrossed by the depraved and drugged out path Punk took through its all too brief lifetime.The book is entirely made up of interviews from everyone who could possibly have anything to say about the seedy history of Punk music. There is no descriptive content other than these interviews which are carefully and cleverly woven together to provide a dynamic timeline of this ugly step child sub-genre of rock and roll. Everyone is interviewed, from musicians to producers to journalists to drug dealers to drag queens to groupies. This complete cast of characters from both sides of the Atlantic creates a narrative so seedy that sometimes you feel you have to bathe after reading it.And that is as it should be because the story in its decadence is completely mesmerizing.Everybody is here, The New York Dolls, MC5, The Dictators, The Dead Boys, The Ramones, The Sex Pistols, Andy Warhol, Lou Reed, Patti Smith and that only gets you half way through the book. I am also happy to report that as a huge fan I was gratified to learn that the number one degenerate from which all Punk sprang (or, more appropriately, seeped) is the king himself, Mr. Iggy Pop; a man pretty much at the center of this descent into musical madness.For me this is the definitive story, and by far the best overview, of the insane world of Punk music I've ever read.
This may be one of the most complete and perfect histories ever compiled, of any era, in any lifetime. Legs has contributed something to connect those of us who wish we had been there to the artists who make us feel like we were. If you know that punk was never just about a new way to make some noise, this will help you get deeper into the heart and soul of it, with stories of wild nights in the company of frustrated poets, street hustlers, guitar slingers, and observers of life.
A lot of rock 'n' roll histories come off feeling a bit bland, you get the basic outline of the story, who did what, but you wonder about the stories that didn't make it into the book, the kind of stuff that people don't want to say on the record.This book is nothing but that stuff.Tales of living hard and wild and irresponsibly. Sad and squalid at times, laugh-out-loud funny at others, The dirt is dished by people who were maling the scene. The Velvets, The Stooges, Warhol, Jim Morrison, Nico, MC5, New York Dolls, Patti Smith, Television, David Bowie, The Ramones, Blondie, Jim Carroll, Sid and Nancy, and more.... a lot of rock mythology has been built up around these people, but this book is not afraid of bursting the bubble over and over again. If punk meant anything it meant not giving a sh-- what other people think, an attitude which is displayed on every single page in "Please Kill Me". No analysis, no legend-building, just the crazy tales of a crazy time.
I really loved this exporation of the roots of punk in New York. As a former Detroiter and Michigan resident it was nice to read about the contributions of Iggy and The Stooges and the MC-5 to punk. I also found it to be funny how Macolm McLaren pretty much exported Richard Hell's "look" to create punk in the UK. Being a midwestener I really understand that by the time what punk was perceived as being reached me it was really a different entity diffused by the lens of mainstream media. I really enjoyed getting a perspective straight from the sources. Glad they made this book 20 years ago due to so many voices no longer being with us.
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